Nick FitzPatrick

Boorloo (Perth), Australia
@nick___fitzpatrick
nick@nickfitzpatrick.net
+61 (0) 455 445 260

About
I am a photographer and artist working in Australia. I am interested in how systems of understanding are visually constructed and communicated.
Journal
Work
Hotel
Noise
Cadence
Vermin
Sampuru
Bodies/Offset
The News
Web Direction
Poster Explosion
Compositions in Black and White [2022-]
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ACROSS AGREEMENTS AND AND AND AND ARE BLACK CALLIGRAPHICALLY CHANGING COMMERCIAL COMPOSITIONS CONTEMPORARY COPY ENLGARGED ETHICALLY FROM HISTORY IN INVITE LEGAL LOCUS MACHINES OF ON PASSAGES POWER PRINT REFLECTION ROLE SET SUSPECT TEXT THE THE VIA WHITE

Signs (Version 2) [2022-]
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ADVERTISING ADVERTISING AND AND AND EXCERPTED FOR FOUR FROM GRAPHICALLY IN IN INTENDED LAMPOON LIGHTBOXES POSTERS PRACTIES PRESENT PRESENTATION PREVAIL PUBLICLY-VISIBLE RECAST REJECT RENOWNED RHETORICAL SHAKESPEARES SHAKESPEARES SIGNS SOLILOQUY SPACE TEXT TEXT THAT THE THE TO TOMORROW TOMORROW TOMORROW

Death Mask (No Alternative) [2021-2023]
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A ACT AGENCY ALTERNATIVE AN AND AND AND AND ANXIETIES AS BETWEEN CARTOONS COLLOQUIAL COMMUNION COMPLICITY CONFLICTING CONNECT CONSCIOUS CONTINUED DEATH DEATH DEATH DOODLES DRAWING DRAWINGS DRAWINGS EXPLORATION GOVERNING IN INTO LIVES MASK MASK NO NOTIONS OF OF OUR POPULAR POSITIONING RELATIONSHIP REPRESENT SKETCHES SUICIDE SURROUNDING SYSTEMS THE THE THE THE THE THEIR TROPE UNCONSCIOUS WITH WITH WITHIN WORKS

Champagne Honda [2020-]
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A A A A A A AGAINST AMBITIONS AN AN AND AND AND AND AND AND ANTIHERO AS ASSUME AT AVATAR BACKDROP BECOMING BECOMING BY CAPITALISM CARICATURE CHAMPAGNE CHAMPAGNE CHAMPAGNE CHAMPAGNE @CHAMPAGNEHONDA COLONISED CONTEMPORARY CREATE CURATES DAWNING DEALER DISTENDED ESTATE EXPLORES EXTERNAL FAMILIAR FEED FLAGRANTLY FOCUSSED FROM GROTESQUELY HER HER HONDA HOPEFULLY HUBRISTIC I INFLUENTIAL INHABIT INSPIRATIONAL INSTAGRAM INSTEAD IT KIND LAUNCH LIFE LIFE LIFE LIFE MEANINGFULLY MICROCOSM MIGHT MOMENTS MOTIVATIONAL NAIVE NAKED NEOLIBERAL NEW OF OF OF OF OF OF OF OF OF OFTEN ON ONLINE OPEN PAINFULLY PERSONA PERSONALITY PRE-EXISTING PROMISED RASA RATHER REAL REALITY REPRESENT "SECOND" SECOND SECOND SECOND SEEN SOCIETY STANDS SUBJECTIVITY SURROUNDS SWIFTLY TABULA THE THE THE THE THIS TO TRAGIC UPON USERS UTOPIA VIRTUAL VIRUTAL WAS WAS WHICH WITH WITHIN WORLD

Eel Meal (Second Incarnation) [2019-2020]
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2020 A A AND ARI-STYLE ART AT AVAILABLE BY CLOSED COVID-19 DURING EEL EEL EEL EELMEAL.COM EMERGING EXHIBITIONS EXPERIMENTAL GALLERY GALLERY HOSTED IN IN INFORMATION INTENDED IS MANDATE MEAL MEAL MEAL MORE OF ON OPERATING PANDEMIC PERTH PLATFORM PRACTICES PROGRAMME RESISTANT ROLLING SMALL THE THE TO WAS WAS

Monsters [2019]
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A AMBIGUOUS AND AND ARE BETWEEN CARTOONING CONTEMPORARY CREATE CUES DEPICT DERANGED DRAWINGS EARLIER ELEMENTS EMOTIONAL EXTENDING FIGURES GROTESQUE INCONGRUITY OF OF OR PSYCHOLOGICALLY SERIES SHORT SIMPLE STYLE SUBSTANCE TECHNIQUES TO TONAL UNFAMILIAR UNSETTLING

Signs [2019]
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AND AND ARE ARISE BETWEEN CAUTIONS COMIC DIALOGUES DIRECTIVES EMBLAZONED ENVIRONMENT EXISTENTIAL IN IN MOMENTS OF PERSPECTIVE PLACED PUBLIC READER REALM SHIFTED SIGNS SMALL TEXT THE THE THE THEIR WITH

Clouds [2018-2019]
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A A A ACT ACT AMBIGUOUS AN AND AND AS AUTOMATISM BECOME BETWEEN BIASES CLOUDS CLOUDS COMMUNION CONSCIOUS CONTEMPORARY CONTENT CONTINUING DISCERNIBLE DRAWING DRAWING DRAWING DRAWING DRAWINGS EARLY ESTABLISHED EXPLORING FIRST FORMS HAS HUMAN I IN INTERACTIVE INTO IS ITERATIVE KIND LAYERS LOOSELY MANIFESTING MARKS MARRYING MEANINGFUL METHOD METHODS MOTIVATIONS OF OF OF OF OF OF OF PAREIDOLIA PARTICULAR PERCEPTIONS POSITION PRACTICE PROGRESSIVELY PROJECT RANDOM REFINED RORSCHACH SEEK SEMI-AUTOMATIC SERIES STIMULI SUBLIMINAL SUSTAINED TECHNIQUES TENDENCEY TEST THE THE THE THE THIS THROUGH TO TOWARDS UNCONSCIOUS USING VERNACULAR WAS WERE WHAT WITH WITHIN

Images [2018-]
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ABSTRACT AND AND AND ARE BY CONTINUITY DIGITAL FEATURELESS FORMS GRIDDED HAND HEAVY HUMAN I IMAGES IMAGES IMAGES IN IN INK LABORIOUSLY MANIPULATION MEANING-MAKING NOTIONS OF OF OF ON PEN PERCEPTION PHOTOGRAPHS PORTIONS PRODUCE QUANTISATION REFLECTS REPRODUCED SUGGESTING SYSTEMS THEN THESE THOUGH TO TOPOGRAPHICAL VAGUE

Scrap Rings [2017]
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ALUMINIUM AND AND ARE CAST CHEAP FOR FORM IN LIGHTWEIGHT MATERIAL PURPOSE RENDERED RINGS RINGS ROUGHLY-HEWN SUGGESTED THE THEIR THROUGH TWO UNFIT UNWIELDY WERE

Leaves [2017]
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AN AND AND AND ARE ARTEFACTS BETWEEN BLACK BY COMPOSITING CONSTRUCTION DIGITAL DIGITAL DISRUPTED DYNAMIC ENCOMPASSING ERASURE EXPOSURE FIELDS IMAGE INCOMPLETENESS IS ITS LEAVES LEFT MANIPULATION OF OF OF OF OR OR PHOTOGRAPHS REPRESENTATION REVEALED SPACE SUGGEST THE THE UNINTENTIONAL UNRESOLVED

Eel Meal (First Incarnation) [2015-2017]
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12 88 100 ACROSS AN AND ARCHIVE ART ARTIST ARTISTS AUTHORITY AUTHORSHIP BE BY BY CENTRAL CHALLENGE CONTEMPORARY CONTENT CONTENT CONTRIBUTE COPIES COPIES COPY DESIGN DISPATCHED DISPATCHED EACH EACH EACH EEL ENCOUNTERED EPHEMERAL EXPERIMENTAL FREELY GUIDELINES INTENDED INVITED ISSUE ISSUE KEPT LONDON MEAL NATURE NEWSPAPER NEWSPAPER NO NO NOMINATED NOTIONS OF OF OF OF OF ON ONE ONE OWNERSHIP PAGE PERMANENCE PRACTICES PRINTED; PROJECT PROVIDED PUBLIC PUBLICATION RANDOM REMAINING STANDS THE THE THE THE THE TO TO TO TO TO UNCREDITED WAS WAS WAS WERE WERE WITH WITHIN

Bird [2015-]
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A A ABSURD AND BIRD CARTOONS COLLECTION COLLECTIVELY DETAILING EMOTIONAL EQUAL EXISTENTIAL FRAGILE GRAPHIC IS LANDSCAPES MIND OF OF PARTS QUOTIDIAN SIMPLE THE

Journal [2015-]
ORDER
COLOUR
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2015 A A AND AND ARRANGE AS BELOW BUTTON CHRONOLOGICALLY CIRCLES CIRCLES CIRCLES CONTINUING ENTRIES ENTRIES EXPERIMENTS FOR HAVE I IDEAS INDIVIDUAL JOURNAL LARGER MAINTAINED MAY MOMENTS MORE OF OF ORDER PRACTICE PUBLIC RECENT RECORD REPRESENT REPRESENT RESOURCE SINCE THE TO USE

Photography [2010-]
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A A A AFFECT ALL AMBIGUOUS AND AND AND AND AND AND AND AND AND ARE AREA ART ARTISTIC AS AT BEAUTY BEEN BEST-ESTABLISHED BEYOND BRANCH BY CHANGE CHANNELS CO-MINGLING COMMERCE COMMERCIALISED COMMERCIALISED COMMISSIONED CONSISTENTLY CONSTITUTES CONSTRUCTS CONTEXT DENIED DENY DESIGNERS DISTORTED ENMESHED ENQUIRY ETHICALLY EXPECTATIONS FASHION FOR FOR FOREGROUNDED FOUNDATIONAL FRAUGHT GROTESQUE HAS HAS HAS IMAGE IMAGE IMPOSE IN INTEREST IS IS IS IS IT IT KEY MAGAZINES ME ME MEANING MEANINGFUL META-REFERENTIAL MOST MOST MY MY MY MY MY NUMEROUS OF OF OF OF OF OF OF OF OFTEN OFTEN ONCE OPPORTUNITY PATH PERSPECTIVE PHOTOGRAPHIC PHOTOGRAPHY PHOTOGRAPHY PHOTOGRAPHY PHYSICAL POSITIONING PRACTICE PUBLISHED RECOGNITION REMAINED RENDERED REPRESENTED RESISTANCE RETAILERS SEEKS SERVICE SOCIAL SUBJECTS SUCH SUGGESTED SURFACE THE THE THE THE THE THE TO TO TO UNDERSIRABLE UNDERTAKINGS WITHIN WITHIN WORK WORK ZEITGEIST

About
A A ACKNOWLEDGES AGENCY AM AND AND AND AND AND AND AND AND AND AND AND APPROACHES ARE AS BEHAVIOURS BLACK BOTH BY COMEDY COMMERCIALISED COMPLICITY CREATIVE DEFICIENCIES DESIGN DESTRUCTIVE DIGNITY ENDEAVOUR ESPECIALLY EXPLORING EXTENT FAILURES FIND FOCUSSED FORMAL FULLEST GIVE GRAPHIC HISTORY HUMAN HUMAN I I IGNORANCE IN IN IN IN INFLUENCES INFORMED INTEGRITY INTELLECTUAL INTENTION INTERESTS IS IT IT ITS ITSELF KNOWLEDGE LIMITS MAINTAIN MANIFOLD MATHEMATICS MISGUIDED MODE MOMENTS MY MY MY MY MY NATURAL OF OF OF OF OF OF OF OFTEN OFTEN OPERATES PATH PHILOSOPHY PHOTOGRAPHY POSSIBLE PRACTICE PRACTICES PRODUCE PROFESSIONAL PURPOSE QUALITIES RELATION RESPONSIBILITY RISE SCIENCES SEEK SELF-EFFACING SOCRATIC SOLACE SUCH SYSTEMS SYSTEMS SYSTEMS SYSTEMS THAT THAT THE THE THE THE THE THE THE THE THESE THOSE TO TO TO TO TOWARDS ULTIMATELY UNDERSTANDING UPON WHICH WITH WITHIN WITHIN WITHIN WORK
Contact
nick@nickfitzpatrick.net
(+61) 0455 445 260
@nick___fitzpatrick
Boorloo, Australia.